Tuesday, July 19, 2011

Cults ? Bumper

So last night, I finally remembered that I should listen to this new Cults album. The New York duo of Madeline Follin and Brian Oblivion were pretty much the poster children in 2010 for blog buzz leading to, as Borat would say, “Great success!” with their 3 song EP appearing completely out of nowhere and sweeping the blogosphere, eventually leading to a record deal with Sony (yeah, one of those “major labels”). They’ve just recently finally released their self-titled debut album and since I enjoyed so many of the tunes that I’d already heard from theread more and hear the song


Source: http://feedproxy.google.com/~r/dailybeatz/~3/0gvLYOuhQlM/

Katharine Towne Malia Jones Jennifer ODell Jenny McCarthy Zooey Deschanel

Photos | 2011 Billboard Music Awards

2011 Billboard Music Awards

Related Artists

Source: http://www.mtv.com/photos/?fid=1664371

Monika Kramlik Lacey Chabert Amber Brkich Gretha Cavazzoni Marla Sokoloff

Monday, July 18, 2011

Photos | Candid Moments From 'Britney Spears: I Am The Femme Fatale'

Candid Moments From 'Britney Spears: I Am The Femme Fatale'

Related Artists

Source: http://www.mtv.com/photos/?fid=1661195

Nadine Velazquez Pink Mila Kunis Samaire Armstrong Selita Ebanks

Five ways Apple can improve the Mac App Store

When Apple first announced it was launching a Mac App Store, I thought it was a dumb idea. I already knew where to get my apps and didn't need a centralized location to find what I wanted. However, after using the store for more than six months, I've become a Mac App Store aficionado. Now, I rarely buy an app that isn't on the Mac App Store, and I get kind of annoyed when there's an app I want that's not on the Store.

The reason for my change of heart is simple: the Mac App Store has lived up to everything Apple intended. It's easy to find apps, and it's even easier to install and update them. The thing I love most is that I no longer have to keep a backup of all the DMG files of downloaded apps I've bought. If I ever need to re-download an app, I can do it with a click of a button in the Mac App Store. I also used to keep a separate text file on my Mac containing all the registration information I needed to enter once I installed an app. Sometimes this was just a serial number, but other times it was a serial and a user ID, which might have been an old email I hadn't used in years. All that hassle is gone with the Mac App Store. No serials. No IDs. No DMG files to find or re-download.

As much as I've fallen in love with the Mac App Store, it does have room for improvement. Here are five suggestions I hope Apple implements.

1. Grandfather existing owners of Apple-made apps into the Mac App Store.

I've got several Apple-made apps that I bought on disc before Apple unveiled the Mac App Store. These include iLife '11, iWork '09, and Aperture. It would be nice if Apple found a way to automatically add these apps to my Mac App Store account so I could ditch the optical media and have easy access to them on any Mac I own. Allowing grandfathered Apple apps would also eliminate the confusion of updating Apple's apps. Last week some people had to update their iLife '11 apps through Software Update, while others had to update them through the Mac App Store. (In its early months, the Mac App Store actually was smart enough to find disc-installed Apple apps on your Mac and mark them as "Installed," but it appears this feature is no longer working. -Ed)

2. More options for sorting your purchased apps.

The fourth button on the Mac App Store's menu is the "Purchases" button, which lets you see a complete list of all apps you've purchased. It's a great feature that enables you to quickly re-download any app you bought and later deleted from your Mac. However, right now there is no good way to sort through your purchases. You're limited to viewing them in the order you bought them, most recent to oldest. It would be great if Apple could add additional sorting options including alphabetical, price, category, last updated, and more.

3. Screensavers and Widgets

Right now the Mac App Store is limited to full-fledged applications. This means System Preferences add-ons and screensavers are out. I can understand excluding custom System Preferences add-ons, as some third-party prefpanes require low-level access to your Mac -- a potential security risk. However, screensavers don't present similar risks (at least no more than apps do), and the Mac App Store would be an incredible way to discover cool screensavers. A dedicated screensaver category in the Mac App Store would increase screensaver development and let users easily find and separate the good from the bad via reviews. Same goes for Dashboard widgets; I still use them, and it would be nice to browse them all in one place.

4. Tabbed browsing

The Mac App Store could use improved ways of viewing and comparing potential app purchases. Right now, clicking on an app listing takes you to its info page. That's nice, but if you're looking for a specific type of app -- and not a specific app -- it would be nice to be able to open several app info screens in multiple tabs so you can quickly switch between them while comparing features, ratings, and so forth.

5. Video previews

Currently, an app's info page shows up to five images of the app. Many times those images are enough to provide a good look and feel for the app; however, it would be great if Apple allowed developers to upload one small video that could be played right in the info screen. This video, limited to sixty seconds if necessary, could essentially be a trailer for the game you're thinking of buying or a quick walk-thru of an app, narrated by the developer. The videos would add more to the discoverability of what an app is capable of, something that isn't always obvious from still images or text descriptions.

Those are five of my ideas for the Mac App Store. I'd love to hear your ideas in the comments!

Five ways Apple can improve the Mac App Store originally appeared on TUAW - The Unofficial Apple Weblog on Sat, 16 Jul 2011 20:00:00 EST. Please see our terms for use of feeds.

Source | Permalink | Email this | Comments

Source: http://www.tuaw.com/2011/07/16/five-ways-apple-can-improve-the-mac-app-store/

Teri Polo Summer Altice Rose McGowan Bar Refaeli Jessica White

Britney Spears, Adele And More Best Songs Of 2011 (So Far)

Tracks from Beyoncé, Katy Perry and Kreayshawn also make Bigger Than the Sound's midyear report card.
By James Montgomery


Best Songs of 2011 (so far)
Photo: MTV News

Last week, when I listed the Best Albums of 2011 (So Far), I expected to receive a fair amount of acrimony (it's what happens when you eschew Britney Spears in favor of F---ed Up's David Comes to Life), and, of course, I did.

But mixed in with all the hate were a few requests for me to do a similar list of my favorite songs too. So, not wanting to disappoint my fans (Hi, Mom!), I've done just that: Here are my picks for the Best Songs of 2011 (So Far), 20 tracks that have defined the first half of the year for me. Not all of them were actually released in 2011, but all of them have managed to make an impact in some way, be it on the charts, the blogs or in the ever-expanding "weird song" quadrant of my mind.

What's your pick for the Best Song of the Year (So Far)? Vote now in our Newsroom poll!

I'm sure you'll take issue with some of my selections, so if there's a song I've missed, let me know about it in the comments below. And, yes, just to head you off at the pass, Britney made the list this time around. So, without further ado, here's my top 20:

20. My Morning Jacket, "Holdin' on to Black Metal": Or, as you probably know it, "the song that includes portions of Kwan Jai and Kwan Jit Sriprajan's 'E-Saew Tam Punha Huajai.' " Delightfully oddball sorta-funk/ Siamese soul from Louisville, Kentucky.

19. Beastie Boys, "Make Some Noise": Vocal nods to their License to Ill party phase. Rattling boom-bap from their Check Your Head days. Cowbell break courtesy of Paul's Boutique. Welcome back. To the future.

18. Peter Bjorn and John, "Second Chance": Airtight Swedes ditch the whistling and plow headlong into rollicking, retro-leaning rock. The chorus may not be better than "Young Folks," but, hey, there's a guitar solo!

17. Cage the Elephant, "Around My Head": Hey, you guys like the Pixies? Cool, I do too! Maybe we can hang out sometime?

16. Against Me!, "Russian Spies": Searing, surging punk from Gainesville, Florida, lifers Against Me!, it proves that their time on Sire Records didn't soften them one bit. It only made them more resolute. And, strangely, sadder too.

15. Black Lips, "Modern Art": Without question, the best song you'll hear all year about taking drugs and looking at art. Oh, like you haven't tried it.

14. Lil Wayne (featuring Cory Gunz), "6 Foot 7 Foot": I can't even begin to comprehend the ongoing drama between Wayne and producer Bangladesh, but there's no denying the fact that both men are better off together. Knotty and slightly seizure-inducing, like "A Milli" times, well, a million.

13. YACHT, "Dystopia (The Earth Is on Fire)": Every day the sky gets lower (lowerlowerlower!). And every day the flames get higher (higherhigherhigher!). So, with apologies to Rock Master Scott and the Dynamic Three, the disco duo just decide to let the mother----er burn.

12. Chris Brown, "Beautiful People": Regardless of what you may think of Breezy, you probably cannot deny the sublimely subtle genius of this track. Then again, maybe you can. And, y'know, your loss.

11. Washed Out, "Eyes Be Closed": Massively ebbing and echoing bed-tronica (don't call it "chillwave") from some dude in Perry, Georgia. Bonus: Sounds nothing like Perry, Georgia.

10. Beyoncé, "Run the World (Girls)": I am an unabashed fan of "crazy" Beyoncé (you know, the one who shows up on tracks like "Ring the Alarm," "Get Me Bodied" and, of course, "Single Ladies"), so there's no way I could overlook "Girls," the single craziest moment on her decidedly straightforward 4 album. From the Major Lazer sample to the Warrior Princess video to the part where she growls "Houston, Texas, babay," it may have confounded some of her fans, but to me, it was psychotic pop perfection.

9. Bright Eyes, "Ladder Song": For as much noise as Conor Oberst is capable of making, it's the quieter moments where his rickety, ramshackle genius really shines through. And "Ladder Song" — a heartbreakingly raw tribute to a friend who committed suicide — is among his quietest. And his best. Backed by little more than a piano and a handful of otherworldly noises, Oberst plumbs the depths of despair, his voice reedy, wavering, but pure and, when he reaches bottom, discovers there are small beauties that make life worth living. It's too bad, he ultimately laments, that his friend didn't discover them too. You won't hear a more achingly beautiful song this year, I promise.

8. Lykke Li, "Get Some": Bewitching, otherworldly single from Li's Wounded Rhymes album, it would be sexy even if she wasn't calling herself your prostitute. The drums thump, the bass vibrates and the guitar stings — and then Li pushes the whole thing over the top with her smoldering, sumptuous vocals. The kind of song that requires a cigarette and a cold shower after repeat listens.

7. Foster the People, "Pumped Up Kicks": The year's catchiest rock tune was actually last year's catchiest too; it just took people a while to catch on. Hazy, loping and scratchy like a mohair sweater, it recalls a headier era, when bands wrote ultra-hooky singles about ultra-dark subject matter (Eels' "Novocaine for the Soul," the Smashing Pumpkins "Today," etc.) and no one seemed to care. Also known as the 1990s.

6. Kreayshawn, "Gucci Gucci": Either the smartest song of 2011 or the dumbest, the beauty of "Gucci Gucci" — and Bay Area "Based Goddess" Kreayshawn, for that matter — lies in the fact that it's probably both, but it doesn't care one bit. Folks can kvetch about sticky subjects like "authenticity," but I prefer to just listen to the music: the goofy horror-movie synth squiggle, the dollops of low-end whomp, the part where Kreay claims to have swag coming out her ovaries — it's all good. Even if it's not.

5. Nicola Roberts, "Beat of My Drum": Sublimely saccharine single from erstwhile Girls Aloud member that mashes together every notable pop moment from recent history, yet somehow manages to be better than the sum of its parts. Dancehall rhythms? Check. Drum breaks? Yep. Electro-vocal tics? And how. It's all courtesy of producers Diplo and Dimitri Tikovoi, though the real power lies in the supercharged sing-a-long chorus — arguably the year's best — where the whole thing comes together into a head-spinning rush and Roberts positively blossoms. She should go solo more often.

4. Katy Perry (featuring Kanye West), "ET": The California Gurl turns space-pop princess, with glorious results. "ET" bloops and bleeps like a satellite in eternal, icy orbit (or a malfunctioning digital watch), and the chorus burns like Spacelab descending through the atmosphere. Also, it's about sex. Sure, 'Ye's verses may be phoned in — he'll probe you if you'll let him — but even they can't dim the wattage of this brightly shining star. Appropriately, it's become a galactic hit, though one can't help but wonder what would've happened if Three 6 Mafia had gotten their hands on it first.

3. Britney Spears, "Till the World Ends": The final stage of grief is acceptance, after all.

2. Lady Gaga, "Heavy Metal Lover": It's buried toward the back of Born This Way, an odd choice considering it's far and away the best song on the album (even better than "The Edge of Glory.") A masterful mix of "Transformers"-sized techno whomp and supple, slipstream synthesizers, it pulses and twitches, expands and contracts and, quiet as it's kept, is probably the best example of what we all hoped BTW would be. As an added bonus, "I want your whiskey mouth/ All over my blond south" may very well be the line of the year too.

1. Adele, "Rolling in the Deep": Unquestionably the song of 2011, a crackling, breathy thing that roils along on a stubby guitar line and some primal pounding, then positively roars to life the second the chorus hits. There's little else at play here, but when you're building with blocks like Rick Rubin's raw production and Adele's prodigious pipes (and the powerful range of emotions they conjure up), they sky really is the limit. The fact that it's a crossover smash (true story, this weekend I heard it 10 times on three different radio stations) is merely icing on top of the cake at this point, not to mention a blow against the creeping, Auto-Tuned insurgency that threatens our nation's airwaves. Sometimes all it takes is one deceptively, devastatingly simple song to turn the tide.

What did we miss? Share your picks in the comments below!

Related Videos Related Artists

Source: http://www.mtv.com/news/articles/1666833/britney-spears-adele-best-songs-of-2011.jhtml

Ashanti Jennie Finch Lisa Snowdon Mariah Carey Taylor Swift

'Avengers' Director Joss Whedon Is 'So Clever,' Chris Evans Says

'He's a great guy to be quarterbacking this thing,' the 'Captain America' star tells MTV News.
By Kara Warner, with reporting by Josh Horowitz


Chris Evans
Photo: MTV News

Although most of our Marvel Comics-related movie excitement these days is pegged to the impending release of "Captain America: The First Avenger," we can't help but already get excited for next year's highly anticipated, superhero-filled "The Avengers."

When MTV News caught up with Cap himself, Chris Evans, during our "MTV First: Captain America" interview Thursday, we asked for his thoughts on working with fan-favorite "Avengers" director Joss Whedon.

"He's unbelievable," Evans said. "He's so clever. He lives in the world of comic books, so he has in his head an amazing story already mapped out. When it comes to directing actors and understanding dialogue, he's an incredibly talented writer. If something isn't working for you as an actor within the words, he can walk away for 10 minutes and come back with seven options that are all fantastic and clever and witty and it's got a pace and a banter," he explained. "He's a great guy to be quarterbacking this thing."

With regard to Captain America's story line in "The Avengers," the details of which Evans couldn't fully divulge but are briefly teased at the end of "Captain America," he said his character is basically a fish out of water trying to understand the modern world around him.

"It's really multifaceted. The guy has to accept the fact that everyone he knew and loved is gone," Evans said of his character's new arc. "Not only is he alone, [but] the world has changed so much, and I think a big part of what makes Cap Cap was his connection to the way things used to be, this kind of pro-American morality and good-ol'-boy sense of life and the way of doing things," he added. "In the modern era, there's a bit of a disconnect. There's not as much human interaction. I think there's more cynicism than there was back then, so it's him trying to come to terms with the way things are."

Check out everything we've got on "Captain America: The First Avenger."

For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com.

Related Videos Related Photos

Source: http://www.mtv.com/news/articles/1667366/avengers-chris-evans-joss-whedon.jhtml

Ana Hickmann Mischa Barton Jamie Lynn Sigler Stacy Keibler Rihanna

???? (The Gazette)

[[???? (The Gazette):????Moon?[OMIBUS] (2002)|????Moon?[OMIBUS] (2002)]]:

? Older revision Revision as of 13:44, July 18, 2011
(One intermediate revision not shown)
Line 1: Line 1:
{{ArtistHeader
{{ArtistHeader
-
|artist          = ????
+
|artist          = the GazettE
|romanizedArtist = the GazettE
|romanizedArtist = the GazettE
|star            = Green
|star            = Green
|officialSite    = http://www.pscompany.co.jp/gazette/
|officialSite    = http://www.pscompany.co.jp/gazette/
|myspace        = thegazetteofficial
|myspace        = thegazetteofficial
-
|wikipedia      = The Gazette (band)
+
|wikipedia      = the Gazette (band)
|country        = Japan
|country        = Japan
|state          =  
|state          =  
Line 14: Line 14:
# '''[[???? (The Gazette):Sentimental Na Onigokko|????????????]]'''
# '''[[???? (The Gazette):Sentimental Na Onigokko|????????????]]'''
# '''[[???? (The Gazette):Akai One-Piece|???????]]'''
# '''[[???? (The Gazette):Akai One-Piece|???????]]'''
 +
{{clear}}
 +
 +
==[[???? (The Gazette):Yougenkyou?Moon? (2002)|????Moon?[OMIBUS] (2002)]]==
 +
# '''[[???? (The Gazette):Okuribi|????]]'''
{{clear}}
{{clear}}
Line 55: Line 59:
# '''[[???? (The Gazette):Wife|???]]'''
# '''[[???? (The Gazette):Wife|???]]'''
# '''[[???? (The Gazette):Shiawase Na Hibi|?????]]'''
# '''[[???? (The Gazette):Shiawase Na Hibi|?????]]'''
 +
{{clear}}
 +
 +
==[[???? (The Gazette):.KALEIDOSCOPE (2004)|.KALEIDOSCOPE (2004)]]==
 +
# '''[[???? (The Gazette):Back drop Junkie[nancy]|Back drop Junkie[nancy]]]'''
{{clear}}
{{clear}}
Line 97: Line 105:
# '''[[???? (The Gazette):Disorder Heaven|Disorder Heaven]]'''
# '''[[???? (The Gazette):Disorder Heaven|Disorder Heaven]]'''
{{clear}}
{{clear}}
 +
==[[???? (The Gazette):Reila Lessons G.O.D (2005)|reila Lessons G.O.D (2005)]]==
==[[???? (The Gazette):Reila Lessons G.O.D (2005)|reila Lessons G.O.D (2005)]]==
Line 119: Line 128:
==[[???? (The Gazette):Dainippon Itangeishateki Noumiso Chuzuri Zecchou Zekkei Ongen Shuu (2005)|???????????????????? (2005)]]==
==[[???? (The Gazette):Dainippon Itangeishateki Noumiso Chuzuri Zecchou Zekkei Ongen Shuu (2005)|???????????????????? (2005)]]==
 +
{{Album Art|[[File:????????????????????.png|thumb|????????????????????]]}}
# '''[[???? (The Gazette):Zakurogata No Yuuutsu|???????]]'''
# '''[[???? (The Gazette):Zakurogata No Yuuutsu|???????]]'''
# '''[[???? (The Gazette):~Zetsu~|??zetsu?]]'''
# '''[[???? (The Gazette):~Zetsu~|??zetsu?]]'''
Line 128: Line 138:
# '''[[???? (The Gazette):Toguro|??]]'''
# '''[[???? (The Gazette):Toguro|??]]'''
# '''[[???? (The Gazette):Bite To All|Bite to All]]'''
# '''[[???? (The Gazette):Bite To All|Bite to All]]'''
 +
{{Clear}}
 +
 +
==[[???? (The Gazette):Kareuta (2005)|?? (2005)]]==
 +
# '''[[???? (The Gazette):Kareuta|??]]'''
{{Clear}}
{{Clear}}
Line 147: Line 161:
==[[???? (The Gazette):Dainihon Itan Geishateki Nomiso Gyaku Kaiten Zekkyo Ongenshu (2006)|??????????????????? [compliation album] (2006)]]==                                                                 
==[[???? (The Gazette):Dainihon Itan Geishateki Nomiso Gyaku Kaiten Zekkyo Ongenshu (2006)|??????????????????? [compliation album] (2006)]]==                                                                 
-
{{Album Art|Dainihon.jpg|Dainihon Itan Geishateki Nomiso Gyaku Kaiten Zekkyo Ongenshu}}
+
{{Album Art|[[File:???????????????????.jpg|thumb|???????????????????]]}}
# '''[[???? (The Gazette):Beautiful 5 (Shit)ers|Beautiful 5 (shit)ers]]'''
# '''[[???? (The Gazette):Beautiful 5 (Shit)ers|Beautiful 5 (shit)ers]]'''
# '''[[???? (The Gazette):32koukei No Kenjuu|32?????]]'''
# '''[[???? (The Gazette):32koukei No Kenjuu|32?????]]'''
Line 198: Line 212:
{{clear}}
{{clear}}
-
==[[???? (The Gazette):Guren (2008)|Guren (2008)]]==
+
==[[???? (The Gazette):Guren (2008)|?? (2008)]]==
{{Album Art|Guren.jpg|Guren}}
{{Album Art|Guren.jpg|Guren}}
# '''[[???? (The Gazette):Guren|??]]'''
# '''[[???? (The Gazette):Guren|??]]'''
Line 241: Line 255:
==[[???? (The Gazette):Before I Decay (2009)|Before I Decay (2009)]]==
==[[???? (The Gazette):Before I Decay (2009)|Before I Decay (2009)]]==
-
{{Album Art|BeforeIDecay.JPG|Before I Decay}}
+
{{Album Art|[[File:Before_I_Decay.png|thumb|GazettE?Before I Decay]]}}
# '''[[???? (The Gazette):Before I Decay|Before I Decay]]'''
# '''[[???? (The Gazette):Before I Decay|Before I Decay]]'''
# '''[[???? (The Gazette):Mayakashi|??]]'''
# '''[[???? (The Gazette):Mayakashi|??]]'''
Line 247: Line 261:
==[[???? (The Gazette):SHIVER (2010)|SHIVER (2010)]]==
==[[???? (The Gazette):SHIVER (2010)|SHIVER (2010)]]==
-
{{Album Art|ShiverAuditoryImpression.JPG|SHIVER}}
+
{{Album Art|[[File:SHIVER.png|thumb|GazettE?SHIVER]]}}
# '''[[???? (The Gazette):Shiver|Shiver]]'''
# '''[[???? (The Gazette):Shiver|Shiver]]'''
# '''[[???? (The Gazette):Hesitating Means Death|Hesitating Means Death]]'''
# '''[[???? (The Gazette):Hesitating Means Death|Hesitating Means Death]]'''
# '''[[???? (The Gazette):Naraku|??]]'''
# '''[[???? (The Gazette):Naraku|??]]'''
 +
{{clear}}
 +
 +
==[[???? (The Gazette):RED (2010)|RED (2010)]]==
 +
{{Album Art|[[File:RED.png|thumb|GazettE?RED]]}}
 +
# '''[[???? (The Gazette):RED|RED]]'''
 +
# '''[[???? (The Gazette):Vermin|Vermin]]'''
 +
# '''[[???? (The Gazette):AN UNBEARABLE ACT|AN UNBEARABLE ACT]]'''
 +
{{clear}}
 +
 +
==[[???? (The Gazette):PLEDGE (2010)|PLEDGE (2010)]]==
 +
{{Album Art|[[File:PLEDGE.jpg|thumb|GazettE?PLEDGE]]}}
 +
# '''[[???? (The Gazette):PLEDGE|PLEDGE]]'''
 +
# '''[[???? (The Gazette):THE TRUE MURDEROUS INTENT|THE TRUE MURDEROUS INTENT]]'''
 +
# '''[[???? (The Gazette):VOICELESS FEAR|VOICELESS FEAR]]'''
 +
{{clear}}
 +
 +
==[[???? (The Gazette):VORTEX (2011)|VORTEX (2011)]]==
 +
{{Album Art|[[File:VORTEX.png|thumb|left|GazettE-Vortex]]}}
 +
# '''[[???? (The Gazette):VORTEX|VORTEX]]'''
 +
# '''[[???? (The Gazette):UNCERTAIN SENSE|UNCERTAIN SENSE]]'''
 +
# '''[[???? (The Gazette):BREAK ME|BREAK ME]]'''
 +
{{clear}}
 +
 +
 +
 +
 +
 +
==Videography==
==Videography==
Line 270: Line 312:
==Other Songs==
==Other Songs==
-
# '''[[The GazettE:Guren|Guren]]'''
 
# '''[[The GazettE:The $ocial Riot Machine$|The $ocial Riot Machine$]]'''
# '''[[The GazettE:The $ocial Riot Machine$|The $ocial Riot Machine$]]'''
-
# '''[[The GazettE:???|???]]'''
 
# '''[[???? (The Gazette):Back Drop Junkie (Nancy)|Back Drop Junkie (Nancy)]]'''
# '''[[???? (The Gazette):Back Drop Junkie (Nancy)|Back Drop Junkie (Nancy)]]'''
# '''[[???? (The Gazette):Kare Uta|??]]'''
# '''[[???? (The Gazette):Kare Uta|??]]'''
Line 280: Line 320:
{{ArtistFooter
{{ArtistFooter
-
|fLetter    = Japanese
+
|fLetter    = G
|musicbrainz = 8d4c13de-6e61-4a8e-ac4d-d0e1996bcef8
|musicbrainz = 8d4c13de-6e61-4a8e-ac4d-d0e1996bcef8
}}
}}

Source: http://lyrics.wikia.com/index.php?title=%E3%82%AC%E3%82%BC%E3%83%83%E3%83%88_(The_Gazette)&diff=9767861&oldid=prev

Maria Bello Jennifer Gareis Ashlee Simpson Donna Feldman Jodi Lyn OKeefe

Amiel

Other Songs: -redirs

? Older revision Revision as of 06:48, July 18, 2011
Line 12: Line 12:
# '''[[Amiel:Clair De Lune|Clair De Lune]]'''
# '''[[Amiel:Clair De Lune|Clair De Lune]]'''
# '''[[Amiel:Games We Play|Games We Play]]'''
# '''[[Amiel:Games We Play|Games We Play]]'''
-
# '''[[Amiel:Love Song|Love Song]]'''
 
-
# '''[[Amiel:Lovesong (Not Censored)|Lovesong (Not Censored)]]'''
 
# '''[[Amiel:Lovesong|Lovesong]]'''
# '''[[Amiel:Lovesong|Lovesong]]'''
# '''[[Amiel:Meet Me In The Red Room|Meet Me In The Red Room]]'''
# '''[[Amiel:Meet Me In The Red Room|Meet Me In The Red Room]]'''
-
# '''[[Amiel:Obsession ( I Love You)|Obsession ( I Love You)]]'''
 
# '''[[Amiel:Obsession (I Love You)|Obsession (I Love You)]]'''
# '''[[Amiel:Obsession (I Love You)|Obsession (I Love You)]]'''
-
# '''[[Amiel:Obsession (i Love You)|Obsession (i Love You)]]'''
 
# '''[[Amiel:Side By Side|Side By Side]]'''
# '''[[Amiel:Side By Side|Side By Side]]'''
# '''[[Amiel:Tonight|Tonight]]'''
# '''[[Amiel:Tonight|Tonight]]'''

Source: http://lyrics.wikia.com/index.php?title=Amiel&diff=9767757&oldid=prev

Bar Refaeli Jessica White Anna Friel Monica Bellucci Minki van der Westhuizen

Amiel:Lovesong

deleted "[[Amiel:Lovesong]]" Deleted to make way for move

Source: http://lyrics.wikia.com/Amiel:Lovesong

Megan Fox Michelle Malkin Charlies Angels Rose Byrne Willa Ford

Sunday, July 17, 2011

Beyonc� - Why Don't You Love Me

Why Don't You Love Me

Source: http://www.mtv.com/overdrive/?artist=1236911&vid=514842

Nikki Cox Carla Gugino Ana Hickmann Mischa Barton Jamie Lynn Sigler

'Harry Potter' Star Matthew Lewis Recalls Embarrassing Fan Run-In

Actor who plays Neville Longbottom describes being caught in 'horrible expression of narcissism.'
By Kara Warner, with reporting by Josh Horowitz


Matthew Lewis at the New York City premiere of "Harry Potter and the Deathly Hallows, Part 2"
Photo: Getty Images

There is almost an endless list of reasons why the stars of the "Harry Potter" movies are beloved. Having watched them grow up onscreen, portraying our favorite J.K. Rowling-created characters, we here at MTV News, as well as the millions of Potter fans around the world, feel a special connection to the cast that you don't often experience in films and on TV these days. Not only that, but each and every member of the cast has a reputation for being just as delightful offscreen as they are on. There are no big egos or tyrants in the bunch; they are humble, grateful young adults.

Except when it comes to causing scenes in Times Square, that is. When MTV News caught up with rising star Matthew Lewis (a.k.a. Neville Longbottom) at the New York premiere of "Harry Potter and the Deathly Hallows, Part 2" earlier this week, he told us about an embarrassing moment he endured during a recent run-in with a fan.

"I had a terribly embarrassing moment in New York City," Lewis said. "I was in Times Square with my friend Nick, and there was a big 'Harry Potter' poster in Times Square," he explained. "I was pointing out where I was on the poster. I said, 'I'm just there next to Emma [Watson],' and as I started pointing at the poster somebody tapped me on the shoulder and said, 'Excuse me, are you Matthew Lewis?'

"And it was just this horrible expression of narcissism in the world," Lewis continued with renewed embarrassment. "I'm there in Times Square pointing at myself going, 'Hey, that's me.' It was awful. But she was lovely. We have the best fans in the world."

Check out everything we've got on "Harry Potter and the Deathly Hallows, Part 2."

For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.

Related Videos Related Photos

Source: http://www.mtv.com/news/articles/1667301/matthew-lewis-harry-potter-deathly-hallows-part-2.jhtml

Kate Hudson Adriana Lima Brittany Daniel Kate Moss Zhang Ziyi

Beyonce Takes Fans Inside 'Year Of 4' In MTV Special

Queen B takes fans behind the scenes of the year spent making her new album in special airing Thursday at 7 p.m. ET/PT.
By Jocelyn Vena


Beyoncé in her "Year of <i>4</i>" special
Photo: MTV

Beyoncé released 4 on Tuesday (June 28), and she's taking fans behind-the-scenes of her new album in the MTV special "Beyoncé: Year of 4," set to premiere on Thursday at 7 p.m. ET/PT on MTV and BET, and at 7:30 on VH1 and Palladia (encore presentations will air later on MTV.com, MTV Hits and MTV Jams).

The special was filmed during Beyoncé's year off, as she set out to discover what she wanted next in her career. It kicks off as B wraps up her I Am Tour, and finds herself at a crossroads before eventually giving into her mother's advice to take some time off.

"My life was award shows and tour buses and hotels and it kind of goes by so fast ... I couldn't even hear it anymore," she says of her whirlwind schedule. "I'm just thinking about the next shoot ... the next video ... the next tour."

Fans are with Queen B as she travels, hangs out with family, friends and husband Jay-Z, and takes time to reflect on her crazy successful career. "I never even realized I needed a year off," she later says. "And I never realized I don't know how to take a year off."

During this reflective time in her life, Beyoncé also began working on her most eclectic album to date, mixing genres and styles to make 4. The special also takes a look at her career as she takes charge of her business. "It was very risky for me to set out on my own," she says. "Sometimes we don't reach for the stars, sometimes we are satisfied with what people tell us we're supposed to be satisfied with, and I'm just not going for it."

4, B's fourth solo album, is a mix of sassy uptempo tracks like the lead single "Run the World (Girls)," soft ballads like "1+1," as well as sassy midtempo songs like "Best Thing I Never Had." She worked with producers and artists like The-Dream, Kanye West and Andre 3000 for the release.

"Being able to take viewers behind the creative curtain of one of the world's most amazing and talented artists, Beyoncé, in the lead-up to her album release is a pure thrill," Van Toffler, President, MTV Music Group, LOGO and Film, said in a statement. "This honest and intimate special provides her audience and fans a rare opportunity to witness a true, musical genius at work and the stories that defined and inspired her incredible new album."

Tune in to "Beyoncé: Year of 4," airing Thursday, June 30, at 7 p.m. ET/PT on MTV and BET, and at 7:30 p.m. on VH1 and Palladia. Encore presentations follow on MTV.com, MTV Hits and MTV Jams.

Related Artists

Source: http://www.mtv.com/news/articles/1666569/beyonce-year-of-4.jhtml

Marika Dominczyk Dita Von Teese Rachel Nichols Dido Joss Stone

Photos | MTV Buzzworthy: Awkward Photos Of Celebs Blowing Kisses

MTV Buzzworthy: Awkward Photos Of Celebs Blowing Kisses

Related Artists

Source: http://www.mtv.com/photos/?fid=1665911

Denise Richards Jennifer Sky Samantha Mathis Samantha Morton Grace Park

Taylor Swift, Rihanna Dress To Impress At Billboard Awards

Nicki Minaj, Ke$ha, Selena Gomez also make fashion splash on red carpet, as showgirl style rules at the Las Vegas event on Sunday night.
By Jocelyn Vena


Taylor Swift at the 2011 Billboard Music Awards
Photo: Jordan Strauss/ Getty Images

On Sunday night, some of the biggest names in the music industry hit up the Billboard Music Awards in Las Vegas and decided that sparkles and sequins make for the perfect additions to any red carpet get-up. Well, it is Sin City after all.

Taylor Swift always seems to bring some of that Nashville sparkle to any red carpet. She arrived at the show in a pale-hued, sequined Elie Saab gown. Nicki Minaj showed off her signature sense of style in her baby-blue, body-hugging spandex Mark Fast catsuit.

Selena Gomez turned up the style dial in a sexy, cut-out black Dolce & Gabbana gown that she paired with red strappy sandals with sparkly bow detailing. Like Gomez, Ke$ha opted for some cut-out detailing in her sparkly, slate-gray dress with tulle skirt. Rihanna looked white hot in her men's tailored Max Azria suit, which she kept sexy and feminine by not buttoning her shirt all the way.

Fergie went S&M chic in her little black bandage-type dress by Hervé Léger. Nicole Kidman also wore black. She paired a casual braid hairstyle with a long black gown and Keith Urban. British pop cutie Kyle Minogue looked funky in her little black lacey dress. Inside the show, Britney Spears sat in the audience wearing a skimpy black dress of her own, her hair in loose curls, with little-to-no accessories.

While some stars kept the color scheme low-key, Keri Hilson decided to stand out in her billowy little yellow dress paired with a turquoise-colored belt. Kelly Rowland showed off some of her best assets in a body-hugging, bright pink bandage dress.

The fellas also looked tight on the carpet. Joe Jonas wore all black with white sneakers, Ne-Yo paired his periwinkle suit with a Yankees cap and Justin Bieber wore black tuxedo pants with a gold-lamé tuxedo jacket.

Which stars' styles caught your eye at the Billboard Music Awards? Tell us in the comments.

Related Photos Related Artists

Source: http://www.mtv.com/news/articles/1664386/billboard-music-awards-taylor-swift-rihanna.jhtml

Kate Hudson Adriana Lima Brittany Daniel Kate Moss Zhang Ziyi

Michael Jackson - The Behind The Mask Project

The Behind The Mask Project

Source: http://www.mtv.com/overdrive/?artist=1102&vid=666246

Ivanka Trump Blake Lively Christina Applegate Shana Hiatt Tara Conner

'Twilight' Star Jackson Rathbone Hits Road With 100 Monkeys

Band plays U.S., then the world in support of Liquid Zoo.
By Christina Garibaldi


100 Monkeys
Photo: MTV News

Jackson Rathbone has been keeping himself very busy since wrapping up "Breaking Dawn" earlier this year. The "Twilight" star is currently on the road with his band, 100 Monkeys, hitting towns all across the U.S. before taking their act overseas later this year.

The band, which recently released its second full-length studio album, Liquid Zoo, stopped by the MTV Newsroom to give us a sneak peek at what fans can expect from its usually unexpected live shows.

"It's a raucous, theatrical live set, constantly switching instruments and singers and jumping and running around onstage, very interactive with the audience," Ben Graupner said. "We pull ideas from the crowd and make up a song on the spot. People will come out of nowhere and start rapping. You really don't know what to expect except for a smile and a good time."

100 Monkeys, who are pretty confident they have never played the same set twice, are constantly thinking up new ways to keep their fans entertained.

"We always just have fun with it," Rathbone said. "At the end of the day, the thing we do with 100 Monkeys is we play with our audience. It's just a fun time. They came out to see us and we came there to see them. That's what makes us a great live band. We love playing."

Next up, they are taking on New York City with a show at the Gramercy Theatre on Saturday, but don't ask them what they will be playing. They still have no idea.

"We write our set lists 30 minutes to an hour before our show," Rathbone revealed. "We always write the set list, sometimes it gets a lot of doodles. It's fun. The best set list we ever had was from a sticker book."

So, is life on the road as glamorous as it looks? Well, not for these guys.

"We are on a red, smelly bus," Rathbone joked. "It wasn't as smelly before we got on, but it definitely had some residue. It's actually from the 1992 Metallica tour; it's got a little Metallica vibe to it."

Are you going to see 100 Monkeys on tour? Let us know in the comments below!

Related Artists

Source: http://www.mtv.com/news/articles/1667364/jackson-rathbone-100-monkeys-liquid-zoo.jhtml

Rachel Nichols Dido Joss Stone Majandra Delfino Maria Bello

Griffin Tech's Beacon: A highly customizable universal remote

griffin technlogy beacon universal remote

Griffin debuted an early version of the Beacon at CES, but it has only recently become available for sale. The Beacon is another iOS-controllable IR blaster combo to control all your audio/video components. Like the UnityRemote, there's a Bluetooth IR blaster. Unlike the UnityRemote, however, Griffin's Beacon is controlled by an app from another company: Dijit. How do these two work together? Read on to find out.

Hardware

The Beacon is just under 4 inches square, with what sort of looks like a stone on a small platform. The stone is actually the IR blaster portion, and it is directional, with the Griffin logo molded on top to ensure proper placement. The IR blaster is directional with the Beacon, with the IR LEDs on the front of the stone, and a receiver on the back of the stone. There is also a small blue LED on the back of the stone to give certain feedback (more on that in a moment). The Beacon uses 4 AA batteries.

The Beacon unit is pretty clever and well-designed, with icons on the bottom to ensure you know where the front is and where remotes should be pointed when you're programming the hardware. Also, you turn the Beacon off after the one-hour shutdown timer by simply tapping the top of the unit, pressing down on the stone. The blue LED slowly blinks a couple of times to let you know the unit is indeed powered up. The stone is a bit of a fingerprint magnet, but that's being picky.

I was told the Beacon could do firmware updates via the Dijit app, which is nice. While the Beacon's footprint isn't tiny, it isn't so big as to be intrusive. The design will work with almost any aesthetic, really, so you won't notice it hanging out on your coffee table. The range of the Beacon is constrained by the same Bluetooth and IR limits of all of these units: around 30 feet or less for Bluetooth controls, and IR has to be line-of-sight to work.

Software

There's a lot going on in the Dijit app, a free download which controls the Beacon. I didn't like the fact that while there's a lot going on in the app, it is not optimized for the iPad. That's a major bummer, considering Dijit has a ton of tiny buttons. But it's a free app, and you can try it before you invest in the Beacon, which I highly recommend you do; if you have large fingers, you may not like it. There are gestures, but sometimes I found it hard to initiate them without hitting a button on the virtual remote.

The Dijit app could be used by itself, as it has TV listings (a grid, no landscape view) and what amounts to a mini Netflix app. The TV listings are quite basic, like an early version of i.TV, but if you are signed in to a Dijit account you can give shows a thumbs-up or down or comment on them. The Netflix tab allows you to manage your streaming queue, conduct searches and view suggested items and add those to your queue.

Netflix detail view (left) and Instant Queue

There's also built-in support for a Roku box, but as I don't have one I was unable to test this. In fact, the Beacon supports over 200,000 devices, including your Xbox 360 -- possibly worth the price of admission right there if you have a vast array of gear.

The only problem with this Guide portion of the app is a lack of landscape view for anything, and some of the buttons are really tiny. On-screen help works, but I was still left wondering what was the point of leaving comments on things -- I don't see Dijit building a social network like GetGlue or other competing products. One excellent feature is the thumbs up rating, which moves shows to your "My Shows" tab up top of the Guide.

The Guide listing (left) and episode listing

The Devices screen is next on the nav bar at the bottom of the app, and I wonder if there was a spirited debate about making that button second. Generally I need to power up my TV before watching it, although I suppose you could see if there's anything worth watching first. At any rate, Devices is where you will go to control all your components. It'll drop you into the last-used component's control screen, which in my case was the TV. As with all of these apps, you get back to your list of devices with a tiny button up top. I'll go into more depth on the Devices screen in a moment, as it is really quite powerful.

Remote being modified (left) Devices view (right)

Continuing to the right of the nav you'll find Activities, which is a way to set up a series of actions for your various remotes. If you want to watch a movie, you may want your TV to power up, switch inputs and power up the DVD player. Of course, you'll have to set all this up for each action, and I found the process to be somewhat confusing and sometimes limiting. For example, let's say I wanted to set up an action for "watch the news," and I had a particular station I always watch for news. I can power up my cable box and TV (unless they are already on and can't receive discrete power on codes -- then you're just toggling and they'll switch off instead) but switching to another channel beyond 9 is laborious. If you want your cable box to go to channel 701, you'll add 3 commands, one for each number! You can, however, set a delay, which allows you to wait until your device is in a ready state before sending more commands. That's a welcome touch.

The Rooms screen allows you to configure more Beacons in other rooms, and from what Griffin says they will re-associate by tapping the Beacon's stone. I only had one unit and was unable to test this. It also allows you to change service providers, in case you have cable in one room and satellite in another. Nifty, but something most people probably won't use.

Lastly there's Settings, which includes a battery indicator (which seemed to work adequately), options for the Guide, account settings, a way to jump to Griffin's support page in Safari, and the requisite About and Reset items.

You can do a bit of customization in the Settings, including editing those shows you gave a thumbs-up to, and viewing your activity within the Guide. General settings allows you change what device does the TV tuning, add/edit gestures (which can only be picked from a specific set of gestures), find devices automatically, and toggle sound effects and the help button.

Remote in use

In Devices you can choose one of your devices, then see the remote button layout for that particular component. Where Dijit really shines is on these remote screens. The button layouts, while logical and great, are completely configurable. You can not only re-arrange things, but in several cases you have a choice of interface element. Volume, for example, can be an up/down button, or it can be a circular jog wheel you spin left or right. Not only that, but helpful blue alignment grid lines appear as you drag these items around the screen. Unfortunately you cannot scale these buttons, which would have been nice. But when you click Edit the buttons will do the jiggly dance (like apps in iOS when you wish to move them around), and you can delete or add buttons.

Editing the layout is a breeze, but one thing you cannot do is mix and match component controls. This proves to be a real pain, because my DVR has a volume control that does nothing to affect the actual volume going through the TV (via HDMI). More helpful would be a TV volume on the DVR screen, but instead I have to tap that Devices button, choose my TV, then hit the volume. UPDATE: Turns out you can you mix-and-match device buttons on the screen. All the more reason I wish there was a proper iPad version of the app. See pic below for how this works.

In terms of responsiveness, the Beacon does a great job. I found almost no lag, and once I set up my screens (not necessary as the defaults are adequate, but I'm a control freak) the Beacon was pleasant to use. By default the app will make a noise when you tap on buttons, and I noticed a glow in the jog wheel as I used it. Some buttons may be a bit small for large fingers. Gestures were not always easy to trigger, and I found myself hitting another key by accident too often, but the button controls worked just fine.*

*OK, so while the buttons worked for my TV, the DVR was completely messed up. Beacon would actually send codes twice! If I pressed channel up it would actually go up two channels. I was told by a representative for Dijit that this was actually going to be fixed in the next version of the app, and it's a problem with the IR codes, not the hardware itself. Apparently IR blasting is tricky, and spacing out the blanks between blasts requires a lot of testing with each manufacturer. If Beacon had better troubleshooting or an ability to tweak those things (as the UnityRemote does), I don't know that an app update would have been necessary. Also, my DVR is a Scientific Atlanta box that is quite common, but I'm told only a very few units are reporting this issue. We'll revisit the issue when the app is updated.

Setup

Setup is really quite simple, with Dijit walking you through a series of questions before you use the app. You can actually skip all setup, but what's the point in that?

Bluetooth pairing will happen in Settings on your iPhone, as with all Bluetooth devices. You'll do that first, then drop back into the app.

First you'll choose TV listings by zip code, then a provider. Then, you'll be prompted to add a TV, cable box/DVR and AV receiver. You can add these later, and I only added the first two to begin with. Dijit has you test the power button only (in my testing), which I think can be problematic. In fact, it only tested the power button on my TV and said it found a remote for the DVR. You can use these, or you can go through another assistant to try finding one that works better.

If you need to teach the Beacon the codes for your remotes, you can do that with the Dijit app, the Beacon hardware and your remote. Since my unit was apparently experiencing a known issue, I found it a little tricky to program the Beacon with my remotes. In theory, you position your remote 2 inches behind the Beacon and teach the Beacon by pressing down to start the LED flashing quickly, then hold down keys on your remote to match the ones you're programming on the Dijit app. Maybe it was my flaky unit, but 2 inches behind the Beacon, resting on the table, meant that my remotes were actually firing infrared beams into the black base, and not the IR receiver section. I had to prop my remote up on a book to make sure it was in-line. Despite this, I was able to work around my DVR issue (noted earlier) by programming the keys. Still, I would not want to do this for the 2 dozen or so buttons on all my remotes. I found the task a bit tedious and tricky, going from app to Beacon to remote to ensure the training worked properly. Be prepared to spend an hour or more doing this if you are stubborn enough or unlucky enough to have an unsupported remote.

Other than training the remote, there's very little to worry about in setup. Have your Netflix login ready if you want to use that, of course, and be prepared to set up a Dijit account (you can use Facebook as well) if you want to participate in the rather limited social features.

Conclusion

Looking beyond the fact that my unit was defective (and will be fixed via app update soon), the Beacon is a pretty good deal at an MSRP of US$79.95. With the ability to control all your AV gear, including an Xbox, I think you'll find there's little it can't adequately control. The Netflix and Roku features are icing on the cake, to be sure. The Beacon is stylish and easy to use, and the interface customization will ensure you're able to enjoy using it for some time to come.

Still, I found some rough edges. Manually training the Beacon with a remote is somewhat frustrating (although all IR blaster training sessions lack any fun quotient), and the smallish buttons and lack of an iPad-optimized app hindered what could have been a fabulous interface. The Beacon hardware could be considered large by devout minimalists, and the inability to tweak the length of time the unit stays on (or other more advanced tunings) put it behind the competition somewhat, but most of these are minor details. I will say it seems very un-Apple to have separate vendors for the hardware and software, but I'm sure Dijit and Griffin have plenty of contracts to keep each other in check (Dijit will also appear on Android, so there's that).

If you're looking for a highly customizable interface and a pretty simple remote with a few extra bells and whistles thrown in for other services, you'll find the Beacon is a capable unit for your home theater or living room AV setup.

Griffin Tech's Beacon: A highly customizable universal remote originally appeared on TUAW - The Unofficial Apple Weblog on Thu, 14 Jul 2011 21:00:00 EST. Please see our terms for use of feeds.

Source | Permalink | Email this | Comments

Source: http://www.tuaw.com/2011/07/14/griffin-techs-beacon-a-highly-customizable-universal-remote/

Jennie Finch Lisa Snowdon Mariah Carey Taylor Swift Milla Jovovich